? Explain the Continued Fascination with Katherina in ‘the Taming of the Shrew’

?explain the proceed fascination with Katherina in The Taming of the Shrew Audiences treat to be fascinated and cite with Katherina because of the struggles she faces with non suit into a actually concise, sociable be sick. Theres no denying that The Taming of the Shrew is patriarchy at its worst. Shakespeare presents to the listening Katherina an intelligent, highly stubborn wo gay who is unstrained to ch exclusivelyenge the sexist patriarchal ideologies of the sixteenth nose candy. She is subjected to many things like verbal abuse, unjustness and double protestards, which all resonate with the audience.Katherina doesnt jibe into the kind convention because she challenges the proper gender roles of the sixteenth century. We see Katherina ambitious gender conventions when she protests against beingness hard-boiled like a commodity in terms of marriage which at the time was like a billet or financial transaction vatic to benefit the families involved. Katherina ma kes it clear at the set-back of the receive that she does not wish to be married to someone merely because of her dowry, practically to Biancas despair.In do work 2 prognosis 1 Baptista agrees for Petruchio to marry her. Katherina is very against the idea, twisting his words, haughty and even striking Petruchio. She is finally ball over to silence when even despite her best(p) efforts to protest, Petruchio deceives Baptista in claiming that Katherina wants to be married to him and she hung ab come out of the closet my neck, and kiss on kiss She vied so fast. Katherina similarly challenges gender roles in that she impart willingly stand up for herself, which was very unlike any woman of the time.This did not help her case in being a shrew with a loud, bad-tempered personality and a razor-sharp knife. We see this in Act 1 Scene 1 when Katherina is being openly insulted and abused by Biancas suitors and refuses to step defeat and combine the fact she is being called a de vil and a wench. She retaliates with diction that is witty and shreds the suitors comments, however it was extremely out of the social practice for women. We find her challenging the roles of men and women relatable merely because of the age agingish contest of men verses women.Because of the very hold in roles women held in this era we find that we mystify to appreciate her actions in that she will stand up for what she believes is fair and right, even if it has her envisioned as an outcast. Katherina finds herself ill-equipped for the social mould of the era as she begins to make a mockery of the berth struggles not solely within marital relationships, but also within society. Once married, women essentially preoccupied all legal rights and their own identity element.This is why Petruchio refers to Katherina as his goods and his chattels after their marriage watching (Act 3 Scene 2). Katherina hates the idea of not even being able to lecture her mind because of her esp ecial(a) power in her marriage. She says in Act 4 Scene 3 that her heart will tire out if she is silenced and unable to express her foiling about her lack of power and restrict over even her own wardrobe. The bend forces the audience to question their assumptions and attitudes about the power dynamics particularly in quixotic couples, but also with friends and relatives.We can relate to Katherina not wanting to be treated like a commodity or be stripped of her own identity and values because every one of us wipe out felt pressure to conform to somebody elses values. Whether it be at school, infrastructure or in a amative relationship, phrases such as be a good girl or be a man reverberates with us all and this is what Katherina attempts to overthrow in her relationship with Petruchio. Katherina is labored to deal with injustice, when she is judged and treated with rawness, as a result of her inability to conform to social and gender conventions.The main object of Petruchi o marrying Katherina was so that he could progress to the challenge of taming her. This to the newfangled audience seems manipulative as if Katherina is more than like an animal needing to be tamed. As a modern audience we have become far more unsanded to social injustices, and so as we spectator pump the abusive behaviour and misogynistic attitudes towards Katherina we begin to belief almost sympathetic for her mi insolatederstood actions and feelings. It is unfair that the only way Katherina could achieve domestic tranquillity was to conform to how Petruchio wanted her to be.She is neer given any choice, pretending that the sun is really the moon and moreover that an old man is really a bud virgin just to make Petruchio able (Act 4 Scene 5). It is clear that as soon as we meet the Minola family that Baptista is distinctly more favourable towards Bianca. In Act 1 Scene 1, Baptista asks Bianca to go internal with him and practice her music and books, he disregards Kathe rina give tongue to Katherina, you may stay. For I have more to commune with Bianca. It is also in this scenery that even though Katherina speaks just tierce times, we hear more about her than from her .This speaks of the judgemental and misunderstand nature that she is subjected to. This fascinates us because as she struggles to overcome this treatment, it becomes very relatable to the audience. The concept of candor has become, to nigh all of us, a given right. For the instances in The Taming of the Shrew to willingly let comeliness be blatantly ignored, becomes a gripping idea to the modern day audience. steady though fairness has become a right, we have all been put into situations where fairness hasnt always been practised, and so Katherinas plight becomes relatable.Audiences continue to be fascinated with Katherinas character because of the struggles that she faces with not fitting into a very concise, social mould. The Taming of the Shrews audience in the 16th cent ury was one that was heavily concerned with the concepts of marriage, and so it is only natural that Shakespeare creates a character that challenges all the concepts tied to marriage entirely. Katherina takes things pass on when she not only tests the boundaries of the limited roles and expectations of a female, but also wont accept the distinct power roles of a man and woman in a relationship.The play celebrates the quick-wit and strong mind of Katherina, even whilst revelling in her humiliation and unfair treatment. Whilst the social conventions have changed since the 16th century, they are still very apparent in our society, and there will always be those who test and upbraiding those widely held standards. One point that is outlay considering is whether or not our conventions are organisation our society for advancement, or worse for regression.