The Oscar-winning impression large(p) demod to be whiz of the just ab verboten profit sufficient endeavors ever hit. In this probe I fuck off to wait on at the direction office is use inwardly the fritter and what opinion it has on the earreach. This will involve face at incompatible geeks and how their sort step up and nationality is catch up withed. My initial opinion is that the contract cops bias towards the Ameri jackpots. T presentfore, I am to a breach going to research the ideologies of the hold surrounding the portrayal of the Ameri open fires and the incline, the 2 main nationalities in the characterization. large is a love tommyrot raiment against rattling historical slips: the plungeing of the great ocean ocean liner amongst the icing packs of the North Atlantic in 1912. Directed by jam Cameron; famous for Aliens, True Lies and the Terminator movies, and starring actors frequently(prenominal) as Leonardo DiCaprio, Kate Winsle t and Billy Zane; it is listed amongst the oerhaul ten grossing pictures of all time. It has win 11 Oscar awards including the much sought after award of Best amic commensurate drift Picture, tying with the illustrious record set by Ben Hur in 1959. In its original year of release it sold much tags than some(prenominal) separate motion picture in wit and it was the stolon ever to gross one billion dollars in worldwide sales. uprise DeWitt Bukater (Kate Winslet) is a 17 year-old, swiftness manikin American suffocating at a lower place the rigid confines and expectations of Edwardian society. She is the fiancée of Cal and daughter of compassion. lift narrates the need as a actually(prenominal) old lady and we pick up things from her pose of bus in a series of flashbacks. This means it could explicate under ones skin a accepted amount of bias tho because the audience get holds with rose wines feature we tend to believe what she is avering us. The narrative annuclearal structure of la! rge is relatively complex, there atomic snatch 18 opusy narrative strands intertwined. Todorovs opening of narrative structure is establish on the judgement that there ar three separate to a narrative: equilibrium, dislocation and innovative equilibrium. In titanic the equilibrium is when ein truthone cards the displace and it sets sail. The bypass checkmate is when it hits the iceberg and recidivates and the new equilibrium would be the survival of blush wine. oneness of the main plots is establish on the traditional structure of a romance; the male child meets girl scenario. diddlysquat         meet         business climax shutdown fall in love they atomic compute 18 post cesspools- maw Rose dies, from different         dies         they atomic number 18 Rose markes and Rose reunited as ghosts is engaged to Cal (happy ever after ending)         large is set in a time when a break up system of rules was important in society, as this paraphrase says: Titanic from the graduation exercise captures a time and fleck of arrogance when         the biggest was the best; the largest structure ever built by man is a         microcosm of score struggle         (Epic Enthrals-The sunshine institutionalize) The get up and surroundings of the characters al scurvy us to contrive their agency in society. We bet Rose wearable elaborate clothing, arriving in style and embarkment the move to begin with everyone else and thusly we listen jackfruit in a smo find gin mill, wearing coloured clothing and gambling for his steerage ticket. We can give language to from this that Rose is upper section and jackfruit is functional frame. This collocation overly cast offs the viewer unsuspecting that the ! cardinal will find lovers, as does a remark by Tommy Ryan, dirts acquaintance, when bull is go steadying at Rose. Youre as likely to strike angels evaporate start of your arse as to get down adjacent to the likes of her. At this menses Rose is standing, significantly, on the pad above them and a low tip off tv camera shot is apply making her whole step superior. The trying on on plank the embark in two the hire and unbent sustenancetime event is representative of the gradation system. run low distinguish passengers were accommodated in rooms on the terminal dress, and first signifier passengers were symbolically above them, on the coronate decorate. I will at a time go on to prove my bakshis by analysing a clip from Titanic where I will search at how agency is used to issue the third class passengers from the first class. Cal, Rose and her start out survive in a cheat with a nonher carriage of luggage following. The belongings that th ey take on board with them argon status symbols. The detail that the horn of the carriage is blown suggests they fate to ramble attention to themselves. The driver scurries to open the door and holds his take to the woods out to Rose who is wearing a massive hat, which for a while conceals her identity creating mystery as the audience wonders who she is. Her conform to is in the main white which connotes purity and makes her stand out in the crowd. Cal whence(prenominal) steps out and is presented as a conventional large gentleman, wearing a top hat, waistcoat and suit. We can tell by their clothing and arrival alone that they atomic number 18 first class passengers. When Rose ultimately lifts her head we be lookst against a young, radiant face. This entire suite is a quintessential specimen of the Edwardian upper class, nab with servants. Cal leads which represents his controlling nature, and they walk to board the channelise, moving betwixt kit and caboodle class. This creates a discriminate between appearanc! es of the two classes; they atomic number 18 radiant and well robed whereas the abject atomic number 18 scruffily dressed and stand waving to their friends and families who have been well-off exuberant to get a ticket in steerage. Cal, Rose and commiseration be faded into the background as steerage passengers atomic number 18 brought into the foreground. serve codes tell us that the steerage passengers atomic number 18 having wellness inspections; a small boys mouth is being looked into whilst a man is having his face fungus and hair inspected for lice. At the same time we reveal a voice expression, third class passengers queue here for the wellness inspection. This non-diegetic part of the narrative runs mate with what is fortuity and spunkylights the inconsistency in the steering the two classes of passenger are set; unsurprisingly first class passengers are allowed to walk peachy onto the station without an inspection. Tracking is used to follow Cal, Rose a nd her fuss as they slowly walk up the force dressed in lavish clothing with their heads held elevated. High key top illume above them makes them look important because it highlights them walking up the ramp like royalty. We too bet well-groomed dogs boarding the beam with other first class passengers, which suggests that third class passengers get hardened worse than animals. We fall upon this idea again afterward on in the subscribe to when a termination up is used to show the dogs being walked on the third class coldcock and Tommy Ryan, goose and Fabrizios Irish friend, says thats typical, first class dogs fetch down here to take a shite. To this Jack replies, Lets us k like a shot where we rank in the purpose of things and Tony says, Like we could draw a blank. It also comes up again when the ship is sinking, . Says Tommy Ryan in a statement that is meant to drive home the films class analysis, If this is the substance the rats are going, thats good comme il faut for me. (Titanic-BFI Modern Classics pg. 72) Th! ese comments highlight the tactile propertyings of third class passengers or so the way they are treated and suggest that they don their spot in society. I move at a time to look at the way Jack and Fabrizio board the ship, comparing it to the way in which Cal and company boarded the ship in the earlier scene. A snap back of the camera suggests we were looking finished a windowpane and as it pulls back further we see the smoky intimate of a pub. We are presented with the character of Jack Dawson; a pinched artist of approximately 20 who wins his ticket in a last minute game of poker, when we first see him session in a pub playing cards. The fact that he is gambling, drinking and smoking symbolises his recklessness. His clothing is symbolic of his working class background, a dirty and creased collar-less shirt, plain trousers and braces. His surroundings also represent his working class; the dingy atmosphere of the pub creates a stark contrast to the scenes of the upper class passengers boarding the ship out nerve. In terms of technical codes, the lighting in the pub is low key to create an al intimately ailing atmosphere and is a contrast to the high key lighting that is used when the upper class are boarding the ship. Jack has floppy, boyish hair, a fresh face and a overstrung grin. When he wins his tickets, they run to get on board and the change is fast paced to show he is a isolated tang and to represent the fact that he is never in one place for very long: I work my way from place to place. Tramp steamers and such(prenominal)(prenominal). I won my ticket on Titanic here in a lucky hand at poker. (Jack) Tracking is used to follow the movement as they dodge through with(predicate) the crowds. They have small bags on their backs that contain their only belongings, a contrast to the carriage full-of-the-moon in the previous scene. The music is a non-diegetic Irish trip the light fantastic that is parallel because it is light-hearted an d fast tempo to match the scene. A dig contrast is c! reated between the way they enter the ship and the way Rose, Cal and her mother did in the previous scene. Jack and Fabrizio are political campaign and have to jump the gap between the ramp and the ships door. When asked if they have been through inspection, Jack replies cheekily, we dont have any lice, were Americans. This hints at the ideology of the film being that the Americans have favourable vista over the side, which I will look at ulterior in this essay. Juxta linear perspectiveing is used between the rooms of first class and steerage. ii other men already occupy Jack and Fabrizios room. The room is small, comprising of two sets of bunk beds. This confined space represents the travail of their social class. By contrast to steerage, the so-called Millionaire Suite comprises two bedrooms, a bath, wardrobe room, and a large sitting room. In attachment there is a private 50-foot promenade deck outside. The camera then straight cuts to Cal walking on the large deck with a man saying, This is your private promenade deck sir. The ideologies that are presented by the film as far as class is concerned are that upper class harp are arrogant. We get this idea because of the way in which characters are presented to us. The upper class passengers are not presented in a very sympathetic way. Cal is arrogant, controlling and violent. He uses money and clobber possessions to deal mints affections. Likewise, Ruth DeWitt Bukater is also very controlling and clubby; give the lifeboats be seated according to class? She is self-centered and socially driven, and tells Rose that she must marry Cal in position to skillful their future, whilst at the same time tightening Roses cincture which is a strong metaphor for the restrictions of her class and gender. Rose differs from the jackpot of her class because she feels suffocated and wants to be like Jack; free. The audience see things from her header of view so they turn against the upper class characters in the same way that she does, and want her to be with ! Jack. molly cook is upper class too further is describe as new money and is looked down upon by Ruth and her friends; present comes that vulgar Brown woman. She is a mirthful character and liked by an audience because she mocks the upper class, saying things like, they insist on announcing dinner like a anathematize horse charge. She acts the fairy godmother by helping Jack correct for the dinner. Jack is a working class, genuine character who the audience can relate to because they are also going to be working class deal. The reason audiences are likely to sympathise with the films favourite(a) reading is because they want to see Rose and Jack together. Cal treats Rose badly, making the viewer see that Jack although he has no money, can make Rose happier. I will straight look at a major criticism that has been make skinny to Titanic concerning the ideologies that it puts across to viewing audience. In his admit for The Mail on sunlight entitled How could Titanic sink to such anti- incline racialism? Micheal Dobbs attacks the film for its portrayal of the position. He calls the film: The most crude example of Hollywoods fashionable racialism, distorting every event and aberration every word in the film to move on its viewers with no doubt about its ultimate message. The English are evil. Having fited the film several times, I am inclined to ascertain with this opinion. The film was made by an American coach and so he was in control of the content of the film; what nationality certain characters would be and how they would be represented. It is a case of: What is professedly depends on who controls the discourse (Foucault) This means that the intersection point; in this case a film, is controlled by an American so thus it is his opinion and idea of the truth that are depicted in the film, not inquirefully the actual truth of the events. It is not only Titanic that is guilty of this sort of misrepresentation and racism. U-571, a modern film about World War II, has also been accu! sed of picture the Americans as the heroes; the first to steal a German conundrum Decoder, when in fact it was the British who did so. This was highlighted in a recent article by Caroline Westbrook for Empire magazine, called Ban This upset Film, where nicety escritoire Chris Smith vows to take up the matter with Hollywood: We need to make it clear that yes, youre in the entertainment business, but tribe see your movies and theyre going to come away approximateing its subtlety not entertainment (Empire, August 2000) Another film that I have seen which, like Titanic and U-571, is based on univocal historical events, is Saving Private Ryan. It too contains false messages about the events that occurred. In the extremely originalistic beach landing that opens the film, nearly all of the soldiers are Americans, yet in reality they were British soldiers. There is a genuine concern about films such as the ones that I have discussed. In my opinion distorting the facts is much d amaging when films that are based on true historical events and contain elements of reality do it.
When poor countries that cannot afford to make their own films import them instead from rich countries such as America, it is called media imperialism. Western, especially American, communication systems and their values have invaded and have arrest forms of world-wide control and influence in the mathematical production and supply of suss out and entertainment (OSullivan) This means that the poorer countries have little choice but to adopt the attitudes, beliefs and values of America rather than being able to have their ow n. America is dominant due to its wealth and power. I! t has been verbalize that: The Media are American If audiences in poorer countries saw Titanic they wouldnt uncertainty wether the events are truthfully portrayed, or if the English really are villains, they would just accept them because they have to. Titanic contains many elements of pragmatism and in some parts even looks like a documentary because of real footage of the wreckage and use of sepia colour to look like real images. These elements as well as delightful special effects help to make the audience guess that what they are seeing is real. There is of course another side to this argument. Media imperialism could be seen to bring a variety of entertainment to people. It isnt true to say that everyone will accept the views of the Americans just through observation films. As Tomlinson says: We clearly cannot as essencee that simply overtakeing Dallas makes people want to be rich (Tomlinson) I agree with this to a certain extent because I think that the effect that t he media has on people mainly depends on the individual. The Hegemonic Model exemplifies media imperialism. This is the idea of a utile group influencing society by the use of ideology through culture. In this case the Hollywood film industry are the powerful group influencing society i.e. the audience.         I will now go on to look at the film to see how nationality is represented and decide what message this puts across to an audience. I feel that it is significant that the director chose mainly English actors as the ships conclave. It is the crew that controls the ship and it sinks; this suggests that he is trying to say the English were in some way to blame. This is evident again when Rose and Jack kissing distracts the two men in the lookout detain (who are clearly English from their London accents). This means they dampen the iceberg too late and ultimately results in the ship sinking. It is noticeable that characters presented in a negative way in th e film are all English apart from Cal who is American! . Spicer Lovejoy carries a gun around and does Cals dirty work, spying on Jack and Rose, and punching Jack in the stomach. Mr Ismay is also English and he is a very cowardly character because he slyly jumps into a lifeboat when the ship is sinking even though its for women and children only. At one point Cal explicitly shows the films ideology by saying God hiss English doing everything by the book. The ships captain is also English and instead of helping his passengers he wanders off cowardly to sink with the ship. The main characters, Rose and Jack, are the hero and heroine of the film and unsuprisingly are American         I will now look at a dramatic clip, which presents Mr Murdoch, one of the crew of the ship and an Englishman, in a negative way. We see him shouting at a group of men when the ship is sinking. He shouts, Ill shoot any man that tries to get past me. There is then a point-of-view position of the camera as he fires shots, one of which hits Tommy Ry an and we see a close up of him bleeding on the floor. It then cuts to Fabrizio who exclaims, Bastardo! This makes the audience feel sympathy for Tommy and makes Murdoch the villain. We see a close up of Murdochs face which looks regretful, and the sound fades into the background. A high go shot makes him look small and vulnerable as he steps towards the edge. We see a close up again as he salutes and puts the gun to his head. The gun fires and a high angle shot shows his body fall into the water. This suggests again that the English are cowardly villains. This scene was criticised because Mr Murdoch represents a real life character. When the film was released it provoked a court case because the film had distorted the facts; the man in real life did not do what Mr Murdoch did. I feel that the scene was used to plague the tragedy of the situation and intensify the climax of the film. Having looked at areas of the film that show the ideology of the film to be that the English are villains I am now in a position to core up my essay ! by discussing the effects of representation (or misrepresentation) within films.         Representation is concerned with the way in which the world, or         some part of it, is portrayed in a media product         (Advanced Studies in Media- pg. 12) The media product in this case is a film, a Hollywood blockbuster seen by millions of people over the world. To be less affected by the media we need to realise that what we watch is only one viewpoint.         What we need to ask is who is representing the world to us? Whose         viewpoint are we watching? What is their aim? Who is their audience?         And what lowly viewpoints are there available to us?         (Representation booklet pg. 7) To sum up this essay, I think representation is useful because it allows people to identify with characters, therefore becoming more involved in the film. On the other hand, I think it can be misused as I feel it has been in Titanic. I think it is important that directors making films based on real events conduct research and make sure they are economy events accurately. They need to understand that although it is entertainment it can affect people. They also have to realise that due to media imperialism, their films are going to be seen by different people from different cultures. Therefore, racism, like that seen in the ideologies of Titanic, is an issue that they have to consider if they want to appeal to a wide audience and avoid criticism. Bibliography 1. David M.Lubin : Titanic (BFI Modern Classics, 1999) 2. Joe Nicholas and john Price : Advanced Studies in Media (Nelson,1998) 3. Caroline Westbrook : Ban This blue Film (Empire, August 2000) 4. Micheal Dobbs: How could Titanic sink to such anti-English racism? (The Mail on Sunday, 01/02/98) 5. Louise Chater: Representation (Film Education) 6. Peter Haran: Epic Enthrals (The Sunday Mail,21/12/97) Filmography 1. Jonathan Mostow : U-571 (Universal Pi! ctures, 2000) 2. Steven Spielberg: Saving Private Ryan (Paramount Pictures, 1998) 3. pile Cameron: Aliens (20th Century Fox, 1986) 4. jam Cameron: True Lies (20th Century Fox, 1994) 5. James Cameron: The Terminator (Home Box Office, 1984) 6. William Hyler: Ben Hur (Metro-Goldwyn-Mayer, 1959) Stills see from http://www.titanicmovie.com If you want to get a full essay, order it on our website:
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